The
motion-capture technology has been used by filmmakers for a series of goals in
the last ten years or so, but it really seems like the science fiction of his
right to come. Hollywood more or less because of the method difficult for the
children, after the failure of the March 2011 Needs Moms, I realized quite late
that just does not fit this kind of "realism." Nobody wants the Toy
Story series, despised me-mo-ended Gravel and Woodys see: cartoony style
produced by Pixar and his group continues to grow in competition structures
animation studio just seems more natural when they are obtained through
traditional CGI animation.
When
the mo-cap can add value to the film that has tried to respond to important
needs of mankind in the 21st century: our fundamental solitude as a sentient
species, not mutually exclusive, and the fear that we would have lasted about a
day of trees mind. James Cameron's Avatar beauty hinted at a vision of life in
a different world in exotic foreign companies, but the new Planet of the Apes
series delved into several districts terrible.
On
Wednesday, I spent the company's mo-cap Alpha Male Andy Serkis for the length
of the projection of the material from the second film in the franchise reboot,
Rise of the Planet of the Apes. It is often hard to tell from this short film
ends hangs well together, since we only have the chance to see the unfinished
part. But in this case the monkeys developed only real shows and subsequent
SAPIENT this fascination with sci-fi versions of our environment quickly made
an experience not to be missed.
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